The present study discusses the postmodern narrative technique in Louise Erdrich‟s novel Love Medicine. Though the novel is one of the richest models of postmodern literary writings, the paper confines itself to four prominent perspectives of postmodernism which are related, covertly or overtly, to the socio-political crisis of the Indian Americans or as they want to call themselves the Native Americans. Identity, fragmentation, postcoloniality and multi-narration are taken in focus to show how the mixed-blood writer Louise Erdrich has mixed the oral traditions of her tribe with the contemporary most recent narrative techniques to produce a landmark in the Western literary canon.
