The aesthetics of narrative paradox A study in the very short stories of Jamal Nouri
Sana Salman Abdul-Jabbar
Tikrit University - College of Arts - Department of Arabic Language
DOI: https://doi.org/10.25130/jls.5.4.1.21
Keywords: literature, the story Paradoxical aesthetics, prose, the language
Abstract
In its narrative formation, the complete story depends on a sentence of elements, characteristics and features that make it of great privacy, including the intensity of condensation, reduction, emphasis, deletion of verbal appendages and partial details to the extent that guarantees it a complete narrative condition. At the same time, and this can be said that the irony of the narrative in the very short story is varied, numerous and multiplicity of the areas it touched, including a fertile story that distinguished its multiple types in enriching the sensitivity on a large scale.
