Linguistic processes in La Route des Flandres by Claude Simon
Saif Adnan Shafeeq Al-Obaidi
Université de Mossoul / Faculté des Lettres Département de français
DOI: https://doi.org/10.25130/jls.6.3.2.12
Keywords: langage fragmentation, présent participe, ponctuation
Abstract
The Flandra Road novel is one of the most famous works of the French writer Claude Simon, who won the Nobel Prize for Literature in 1985. His novel, which dates back to 1960, is full of indications that show the extent to which the writer was affected by the horrors of war, especially the First and Second World Wars. He is a soldier who escaped from Nazi prisons. In addition to being greatly affected by France's defeats in wars ago. This is what left its influence on the plot of Flandra Road and the linguistic style used in it. The reader of the novel finds himself in front of unfamiliar linguistic methods, the writer's intention to include them in a way that draws attention, as if it is an implicit message that needs to be read between its lines, and this is the goal of the research that sheds light on three themes that were chosen to be studied and analyzed in order to know the motives for their appearance in this text. The writer deliberately fragmented the language in the narrative text. For example, the narrator appears once with the pronoun (I) and again with the pronoun (he), which refers to George, the main character, who is lost with his companions in the forests of Flandra. The second theme of the research deals with the frequent use of the subject's noun and the relationship of this use with the writer's influence on drawing and photography. As for the last axis, it deals with punctuation marks that disappear in some places, such as: comma, period, and quotation marks, especially in direct speech, or those that are repeated, such as parentheses, for example, in many passages within the novel.
