The Voice and the Rhythm of Rhythm in Ibn Zurayq Al-Baghdadi's Friction
Rozhan Ahmed Rafiq
Charmouu University / College of Education
Nawal N. Karim
Charmouu University / College of Education
DOI: https://doi.org/10.25130/jls.6.3.1.17
Keywords: Sounds, Rhythm, Ibn Zureik, Structures, Poetic Sea
Abstract
This research works in its vocal field to study one of the most prominent and important Arab poetic texts in the Abbasid literature, with what it represents of vocal conflicts unique to it over what corresponds to it in its purpose from the poetry of the same era. These conflicts worked to highlight the strengths in its formal construction and how this text It revolved around it in various aspects and levels of measurement, structure, composition, and rhetoric, with what was reflected on it in pictures that revealed its contents, the content of its discourse, and the richness of its material. My attention to this aspect came specifically, because of the impact of vocal performance that many researchers and scholars hardly notice in shaping the normative structure of poetic texts, which is basically based on intonation and tirades that do not go unnoticed if we say that it is one of the basic and authentic elements of building Arabic poetry.
