Articulator Characteristics Of THE Cycles Of The Historical-Fantasy Romans Of David Gemmell" The Lion Of Macedon " and "Troy"

Harem Haider Qader

College Administration and Economic, Department of Accounting- Salahaddin-Erbil

DOI: https://doi.org/10.25130/Lang.8.9.13

Keywords: historical fantasy, David Gemmell, Trojan War, Alexander of Macedonia, mythological reinterpretation, narrative techniques, historical authenticity


Abstract

David Gemmell's historical fantasy novels, particularly those centered around the Trojan War and Alexander of Macedonia, masterfully intertwine historical authenticity with imaginative elements, creating narratives that both entertain and offer fresh perspectives on well-known historical events. This study delves into Gemmell's unique approach to historical fantasy, analyzing how he reimagines legendary episodes such as the siege of Troy and the life of Alexander the Great. Through a detailed examination of Gemmell's works, including The Lion of Macedon and the Troy trilogy, this research highlights his ability to blend historical accuracy with mythological creativity. The analysis reveals that Gemmell's characters, rooted in history yet enhanced by fantastical traits, resonate deeply with modern readers by addressing timeless themes such as heroism, fate, and the human condition. The study finds that Gemmell's integration of historical figures with mythological elements not only enriches the narrative complexity of his works but also engages readers in a more profound exploration of the ethical and philosophical dimensions of history. His portrayal of characters like Alexander and the heroes of Troy balances their legendary status with human vulnerabilities, making them relatable and compelling to a contemporary audience. Additionally, the research uncovers that Gemmell's approach to historical fantasy significantly influences the reader's perception of historical events, offering an alternative lens through which to understand and appreciate the past.


References

ALEKSEEV, S. (2006). HOMER OF THE NEW TIME. IF, 9, 281–286.

ANISIMOV, A. B. (2019). INTERPRETATION OF ANTIQUE IMAGES IN THE TRILOGY OF DAVID GEMMELL "TROYA". IN CURRENT PROBLEMS OF PHILOLOGY AND PEDAGOGICAL LINGUISTICS (PP. 152–158). VLADIKAVKAZ: NORTH OSSETIA STATE UNIVERSITY NAMED AFTER K.L. HETAGUROV.

EBRAHEEM, KHALID Q. AND ALI, TAHER M., (2023), THE AESTHETIC DIALECTIC BETWEEN IMAGIATION AND OTHER LITERARY ELEMENTS IN THE NOVEL, JOURNAL OF LANGUAGE STUDIES, VOL. 3 , NO. 2.

GEMMELL, D. (2007). THE LORD OF THE SILVER BOW. (E. DOVZHENKO, TRANS.). M.: AST.

GEMMELL, D. (2008). THE FALL OF THE KINGS. (A. G. OVCHYNNIKOV, TRANS.). M.: AST.

GEMMELL, D. (2016). MACEDONIAN LEV. (M. RYZHKOV, TRANS.). MINSK: SUNFLOWER.

GRAVES, R. (1992). MYTHS OF ANCIENT GREECE. (K. P., TRANS.). M.: PROGRESS.

HOMER. (2017). ILIADA. (V. V. VERESAYEV, TRANS.). M.: VERJEE.

OBAID, OMAR I. AND SAADI AWATIF, (2023), ETUDE DES PERSONNAGES DANS LES ÂMES GRISES ET LA PETITE-FILLE DE M. LINH DE PHILIPPE CLAUDEL, JOURNAL OF LANGUAGE STUDIES, VOL. 6 , NO. 4.

VASILYEVA, A. I. (2016). GENRE SYNTHESIS OF THE TRILOGY OF DAVID GEMMELL “TROYA”. IN NEW SCIENCE: MODERN STATE AND WAYS OF DEVELOPMENT (PP. 124–126). UFA: AGENCY FOR INTERNATIONAL STUDIES.