Unlocking the Symbolic Tapestry: Exploring Symbolism in Ahmed Ardalan's The Gardener of Baghdad
Qusay Khalaf Hussein
Anbar General Directorate of Education
DOI: https://doi.org/10.25130/Lang.8.8.13
Keywords: Ahmed Ardalan, Barthes, Semiotics, symbolism, signifier and signified, denotative and connotative, the Gardener of Baghdad
Abstract
Using Roland Barthes' semiotic theory, this study article explores the symbolic aspects of Ahmed Ardalan's 2014 novel, The Gardener of Baghdad. The research seeks to reveal the several layers of meaning inside the text by examining the book using the ideas of signifier and signified, as well as denotative and connotative meanings. This analysis demonstrates how Ardalan's use of symbols enriches the storyline, mirroring profound cultural, historical, and emotional settings. The results demonstrate the intricate interaction of symbols in the book, providing a more profound comprehension of its themes and emotional intensity. This study examines how carefully Ahmed Ardalan uses symbolism in The Gardener of Baghdad, paying particular attention to the garden, the red rose, and the glorious city of Baghdad. Ardalan explores deep issues of love, grief, and culture via these symbols, weaving a story with a wealth of nuance and complexity. The garden is a haven and a symbol of optimism because it demonstrates that love can flourish even in the face of adversity. The red rose symbolizes the beauty and fragility of love, as well as the unescapable suffering that comes with losing someone. The portrayal of Baghdad as a historically and culturally significant city embodies the people's tenacity and enduring spirit. This study reveals how these symbols are more than just literary devices—rather, they are crucial components that raise the novel's thematic depth. By unraveling this symbolic tapestry, the research provides a better understanding of Ardalan's reflection on the human condition, demonstrating the enduring significance of his writing.
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